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Romanesque and Mosan Art

A Madonna and Child, finely carved ivory panels, and sumptuous religious gold and silverwork are displayed together in a magnificent treasure chamber. The highlights of this exceptional collection are the reliquary of Pope Alexander and the portable altar of Stavelot Abbey, both dating from the mid-twelfth century.

 

The treasure chamber

The hallway leading to the gallery is dedicated to liturgy and the cult of relics, while the gallery itself presents medieval works of art from Belgium’s cultural heritage. By bridging the chronological gap between the Merovingian gallery and the ‘Gothic-Renaissance-Baroque’ circuit, this space celebrates the pomp and splendor of the Middle Ages.

Mosan ivory of the Crucifixion
Mosan ivory of the Crucifixion, 11th cent., Liège, ivory

Mosan goldsmithing

In addition to ivory carvings, wooden sculptures, and historic textiles, the gallery features an exceptional collection of Mosan goldsmith’s art. These masterpieces illuminate the extraordinary flowering of the craft in the Prince-Bishopric of Liège during the twelfth and thirteenth centuries. Decorated with precious stones, gold, and colored enamel, the objects - mainly from church treasures in Stavelot, Florennes, Maastricht, and Oignies - offer a vivid glimpse of the glory of Romanesque decorative arts in the region.

Portable alter of Stavelot
Portable alter of Stavelot, 12th cent., wood, bronze, enamel, brown varnish and rock crystal

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